All Films

The story of a never-ending routine.

Build a new home with memories of a happy distant.

Set during the final ten minutes before an eighteenth birthday, the film follows a young protagonist on the threshold between childhood and adulthood. Through poetic monologues and symbolic ritual, it explores the fear, loss, and quiet transformation that accompany coming of age. Blending introspection with elements of symbolic horror, the film treats growing up not as a celebration, but as a rite of passage, culminating in a final return to childhood memory as midnight arrives.

This ultra-short, experimental video art piece serves as a stark apparatus for decoding the aggressive rhythm and discontinuous production of contemporary life. The work is built upon a Stop Motion loop composed of just 12 frames, using this brief, intense format as an installation of shock that conveys the systemic pressure of a speed-obsessed society. The central figure, the rat, is placed to represent the archetypal subject of the urban underclass—the individual whose labor is rendered invisible and who is constantly forced into a struggle for survival. What we observe is not an advancement, but a fruitless scurry trapped in a vicious cycle. As the image repeats, it whispers that what we perceive as progress is, in fact, nothing more than an exhausting, self-referential recurrent routine. Rhythm/12 Frames compels the viewer to question both their own limits of perception and the grim reality of existence reduced to a survival mechanism within the system

"The Observer's Testimony" is an intense psychological video art piece fundamentally based on Slavoj Žižek's philosophical concept of Parallax. The work utilizes a split-screen format to simultaneously present the transformation of the same clay bust into two contradictory psychological realities: The Left Screen depicts the Hunter's (The Accuser's) hardening into a cold judgment and moral decay, conceptually justified by Murat Kaplan's facial analysis; while the Right Screen reflects the Victim's (The Innocent's) dissolution into helplessness, fear, and ultimate surrender. This organic yet unnatural transformation of the busts places the viewer in the irreducible gap between two contradictory testimonies. The core goal of the work is to demonstrate the impossibility of objective truth by proving that reality is entirely dependent on the observer's subjective point of view.

The young guy who wants to be author, he confronts a problem of nowadays. He breaks his own focus. So he could not reach deep focusing. But when he did it he will feel the amazing satisfaction feeling

Istanbul: Chronopolis is an experimental documentary that explores the city as a living organism where the linear flow of time is disrupted and the past and future coexist. Structured around a thematic cycle of birth, speed, and decay, the film uses rhythmic visuals and archival footage to bridge temporal gaps. Through a fourteen-minute mathematical edit, it replaces linguistic narrative with the evocative language of time-lapse and slow-motion cinematography. The project invites the audience to transcend chronological time and experience Istanbul as an eternal moment—an entity existing solely within its own timeless cycle.

An office worker, overwhelmed by the emptiness of modern life and fleeting connections, reflects on his isolation and replaceability. His inner struggle culminates in a tragic choice, leaving behind a message that another colleague stumbles upon, hinting at the potential for change.

"The future you live in" is a short social commentary film created during my studies in the University of Plymouth in 2024. This is my view at the current state of the world, at what it was and is today.

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

PASTA is a short experimental film shot and directed by George Alshevskij-Jones. It explores food as a performer rather than a prop, using the act of preparation and sound recordings to portray meaning.

Two dudes with sunglasses look for a briefcase.

An ambiguously elusive briefcase is sought after by colourful characters as it changes hands within a College Campus.

After the death of an old friend prompts the discovery of an unusual religious artifact, a man is haunted by past transgressions.

It’s a quiet summer’s day in a small Swedish town. As the alarm goes off on a young woman’s phone, it sets off a series of events that she’s been planning for a long, long time.

a London reunion to lorde

epic mimi bday bash and halloween in manchester

footage from a summer in London and Paris, from 16-28/06/2025

a christmas '24 reunion with the petite butches and dyke house

a grad and summer '24 short film

two weeks in london with tizzy, billy and friends. the big smoke is plundered for all its worth.

improvisational and fleeting, this documentary-style short film follows a kooky bunch of undergrads in their final term of uni.

another short documentary-style film, following the first half of the second semester of university students in their third year

a short documentary-style film, following the first semester of a kooky group of university students in their third year