All Films

Rocco, a high-strung shift leader at a restaurant, faces an existential crisis when her demonic double shows up and orders a spicy Chinese dish. As the night unfolds, she is forced to confront kitchen chaos, her inner darkness and her mom.

Dan (32) & James (a better looking 32) are much more then roommates: they're “Time Pals”. These two losers are three months late on the rent and looking at imminent eviction. When Dan's rich Uncle Karl dies and leaves them a working 'Time Pad', they hatch a crazy plan: they'll travel back in time and deliver a stock tip to their past selves so they can invest and be rich enough to afford rent in the present. The Time Pad comes with only one rule: avoid contact with yourself at all costs! However, when Dan goes missing in the past, James goes searching for him only to find that he's broken the one rule in a big way. Hi-jinx ensues as the two scramble to make things right.

A cannibal named 'Nobody' is mistaken for his latest victim. He assumes the new identity, and everything begins to unravel.

A mother, the last person left alive in the world, is crying by the sea, hugging her dead baby, which she wrapped in a blanket. The angel of death, a woman in a black dress, suddenly emerges from the sea, takes the baby from the mother's hands and returns to the sea. The mother takes steps to follow the baby. Unable to see the baby and the angel of death, the mother loses her balance and falls into the sea. A red veil appears in the sea. While the mother was crying in the water, she suddenly grabbed the angel of death's hand and went to the shore. The mother and the angel of death sit back to back on the beach. When their conversation is over, the mother takes the knife hanging from the angel of death's neck. The mother stabs herself with the knife to defeat death by destroying herself. The angel of death lays the dead mother on his lap. On another beach, a girl in a white dress sleeps in a fetal position.

Two women talk in a kitchen. The talks that it shares love…

Hurt that he never met his mother, Zé, a country man, drops his girlfriend on the farm and sets out to find himself, returning later with a new identity.

A weary man wanders into a shadowy bar suspended in time, unaware he has been murdered and that the truth of his death waits to surface beyond its walls.

Allen Brooks revisits Bachman-Turner Overdrive’s 1974 track 'Blue Moanin’ with a powerful new cover and music video. Having spent decades touring the US and performing alongside legendary acts, Brooks channels his experience into a version that leans more heavily into rock than the blues-inspired original. With guitar contributions from Keith Maples and Thomas VanDeven, saxophone by Mariano Power, drums by Mariano Vega, and mixing by Andrey Paschenko, the track emerges as a global collaboration. The result is both a tribute to Brooks’ musical roots and a fresh reimagining that underlines his lifelong dedication to rock. Brooks directed the music video in the styles of Monty Python mixed with flavors of the 1927 film, Metropolis which delivers collage-like aesthetics with cut-out photographs and illustrations to create surreal animations that splice together abstract imagery.

An afflicted soul wanders a wilderness that seems alive with torment—its silence broken only by the whispers of something dark, something ancient. Struggling to distinguish delusion from truth, he’s pulled deeper into a shadowed realm where fear, doubt, and despair close in like fog. As his mind unravels and the world around him bends, fragments of something different—something radiant—begin to break through. A presence. A promise. A choice. The New Creation is a haunting descent into the human soul’s darkest night, and a stirring exploration of the mysterious force that can bring light to even the most forsaken path.

By the banks of the Thames, a mysterious man moves through its tunnels, painting a message onto the underground walls: WORDS ARE NOW A VIRUS. Years later, thirteen towering wooden sculptures, carved from the roots of fallen Andean trees, rise in Manhattan´s Thomas Paine Park, mesmerizing passersby. Coincidence? Or the work of alchemy—an unseen force shaping reality from a distant workshop, where rituals distill the essence of W. Blake’s Golgonooza, until New York unfolds within our minds

A young man wakes up in the middle of the night overwhelmed by an enormous hunger. Alongside his companion for that night, he must untangle a series of memories that take him back to an afternoon in his youth, in which the key to satisfying his hunger lies.

After being evicted from their house, three ordinary witches accidentally step on a path of eradicating the world's evil.

In 2020, convicted murderer Peter Madsen escapes from Herstedvester Prison in Albertslund. This documentary takes you through what happened, and how it was possible for Peter Madsen to escape one of the most secured prisons in Denmark.

“There is no birth of consciousness without pain.” — C.G. Jung Kai lives behind a flawless mask — the successful businessman with the sports car, the mirrored sunglasses, the impenetrable wall and role he plays. But when a moment of inner collapse shatters his polished exterior, he is hurled into the darkest corridors of his own psyche. At a ritual-like dinner, he meets Mira — a silent, luminous figure who embodies the archetypal Anima, the soul he has long abandoned. When she removes her mask, she exposes a truth Kai cannot bear. His own mask is fused to his skin. He tears at it in desperation,and his frantic attempts to tear it off mark the beginning of his ego’s unraveling. The woman Kai had pushed away in the opening scene —his girlfriend— remains absent, representing the personal, relational Anima, the part of him capable of human intimacy. He is drawn into a surreal inner world where an actor sheds costumes like discarded selves, where hallways breathe, where mirrors refuse to reflect him. Even temptation rises in bodily form — a bartender pushing him back toward the intoxication of forgetfulness, the seductive pull of the Shadow, back into the numbness of unconsciousness. Kai resists, not heroically, but because something within refuses to die without being seen. The deeper he travels, the thinner his ego becomes. A mountaintop at dawn becomes the threshold: here he confronts the silence beneath all his masks. His breath merges with the world. His identity dissolves. What emerges is not enlightenment, but something quieter and more dangerous — the first glimpse of the Self, the center he never knew. When Kai returns to the world, he is transformed in the smallest ways: he kneels to return a lost teddy bear to a child — his own forgotten innocence — and then meets his girlfriend with a tenderness he could never access before. No drama, no revelation. Just truth. The journey ends where it began: in the ordinary world. But this time, the Persona is gone. And Kai finally truly appears. Director's note: This film follows Kai through a Jungian individuation process—the painful but essential journey from the mask we show the world to the truth we carry inside. I wanted to explore how a human being collapses and reforms, not through grand revelations, but through subtle encounters with the forces within the psyche. Mira and Kai’s girlfriend embody two different aspects of the Anima, the feminine principle in a man’s inner world. Mira is archetypal—silent, symbolic, and ritualistic. She is not meant to be loved but understood. She represents the inner soul-image that confronts us with the truth we avoid, and her presence leads Kai downward, into the depths of the unconscious. His girlfriend represents the personal Anima—the real woman onto whom he projects his fears, desires, and wounds. The story begins with him rejecting her because he cannot yet face himself. It ends with him meeting her again, but this time without projection, without armor, without illusion. The bartender serves as the voice of the Shadow—the seductive pull of regression, numbness, and forgetting. The actor on the stage embodies the roles we all wear until we learn to put them down. The child with the teddy bear is the innocence that returns only after the descent is complete. For me, the film is not about enlightenment or escape. It is about the quiet miracle that happens when we stop running from ourselves. When the mask falls, the world becomes simple again. Relationships become possible again. Love becomes true again. Kai does not transcend life—he returns to it. He discovers that the real transformation is not found in visions or rituals, but in the ordinary moment when you finally show up without a mask.

A lonely Woman seeks solace at a Laundromat that provides a special service.

A surreal cut-out lyric video for Cork band Ways of Seeing, transforming their track into vivid, unexpected imagery. Using analogue collage and digital techniques, the video creates a dreamlike visual journey that mirrors the rhythm, mood, and emotion of the music.

A short film about 2 elderly women who kill homeless men for insurance money. Based on a true story. An award-winning screenplay.

Danny O'Greene, an Irishman, with forty personalities, flees to Los Angeles when he discovers his wife is having an affair with his doctor, who seeks fame and fortune by falsely claiming he has cured Danny of his personality disorder.

Follow Richard “Richie” Ravosa, an emerging Boston playwright on his journey to take his #metoo movement drama stage play, Mommy, Are We Poor? to the silver screen. Watch him as he knocks on doors, seeking advice from Hollywood directors and producers on that most elusive subject—how to get a movie made. Pulling out all the stops, he even ambushes actors in an effort to pitch his script. Armed with dogged determination and cockeyed optimism, this gregarious gadfly will stop at nothing to get his play about Chelsea, a young, widowed single mother of two, struggling to make ends meet, made into a feature film. Will he succeed and make his movie? Or will his dream die on the vine as he continues to pursue that persistent mirage, like countless before him have. Will his dream make it to the screen? Or will his pitch end up in the ditch?

Hasan sleeps inside a ruined church in the hope of discovering the location of a hidden treasure. As he follows the signs he sees in his dreams, they begin to clash with his own beliefs. Driven by the desire to make money, he forces himself to continue to the very end despite this inner conflict.

5 clones, 1 poker game, who will win?

One evening, a determined physicist stretches the bounds of nature with a malevolent subject scheduled to leave the following morning.

A grieving widower attempts to chase his late wife down in the afterlife only to be stopped by two extremely polite obstacles in his path.