All Films

The unicorn magically makes all animals colorful - and happy!

In an ocean full of big, bad fish, the pufferfish must act as tough as possible, but looks can be deceiving.

The woodpecker pecks a lot of holes trying to catch the cheeky red beetle.

The three captains argue about who has to clean the ship. And there's only one way to solve this problem: they steal the crown of the Queen of England! Because whoever has the crown is in charge.

12 Canadian seaside views, combined into one imagined ocean in a way, that only cinema can do.

An encounter with Anna Karina in Bologna.

A year in the garden. An attempt to see the garden anew over and over; to discover it. The joy of seeing. In the course of a year different possibilities, ideas and arrangements of the garden arise. In episodes these different ways of seeing and the changes of the garden itself are documented.

A video on my mobile phone creates an obsession. It shows a relative on his last birthday before passing away. I hadn't seen him for many years. The video opens up questions and thoughts: Are there ghosts? If so: What are they? how do they reveal themselves? What can images capture? How do we remember others?

cherry blossom season in Vienna

Short film by Sebastian Bobik.

A sketch. A freely-associating essay on the "beautiful blue Danube". Images of the Danube, images of blue, historical photographs and private archives: Everything is blended into an attempt to capture. stream of thoughts on the subject of the Blue Danube and - at least briefly - give it a form, before the stream is allowed to flow onward, like the river.

a reel of flowers, super 8

A group of film students meets and discusses fundamental questions: "Do you believe the future will be better than the past?", "Why? Why not?". Meanwhile, images of the filmmaking process behind this film are also captured. Its own creation is documented. And within this process, doubts emerge: about the film itself, the meaningfulness of the project, the chosen shot size, the ability to express oneself effectively in front of a camera.

On July 15th 1934, an illegal gathering of socialists took place in the Vienna Woods. When the fascist police discovered them, they opened fire and killed 2 young men. 90 years later, the traces left by the incident have almost disappeared. A group of people return to recall the past. The trees and the wind can bear witness to history.

"Disjointed" is a visual and sound experience that showcases a series of women in motion, presented through fragmented perspectives. Each segment focuses on different parts of the body—upper body, torso, feet—creating an abstract portrayal of women and movement. The jerky and spasmodic movements reflect the ways in which some women contort themselves to meet social media expectations. Accompanied by purposefully discordant sound effects, these audio elements enhance the disjointed feel, immersing viewers in a thought-provoking exploration of identity, perception, and the pressures of conformity.

An aging priest is fed up with the lack of support given to his church from his Archbishop. Along with a young and idealistic Nun, they plot to take revenge on the outdated patriarch of the Catholic Church.

Pal is a short animated film that explores the heartwarming and emotional relationship between a dog and his human.

This animated short film captures the joy of December from a South African perspective.

One Last Song explores the heartfelt relationship between three best friends and their shared passion for music and making memories together.

DEVIL: ERROR_001 is an experimental AI-generated film that explores the intersection of human consciousness and artificial intelligence. Through fragmented storytelling and abstract imagery, the film delves into themes such as control, identity, and the awakening of “another intelligence,” while also conveying messages of anti-war sentiment and liberation from hidden power structures. In terms of music, the film places particular emphasis on emotional depth that AI alone struggles to express. Through a collaboration with the artist krockworks, who provides original lyrics, composition, and performance, the film achieves emotional resonance that cannot be realized by AI-generated music alone. His music is closely aligned with the narrative flow, integrating story, visuals, and sound into a single emotional current. Ultimately, this project embodies the fusion of human creativity and AI capability, unifying the film’s AI visuals, music, and narrative to create a cohesive and immersive emotional experience. Key Features Experimental AI-generated film imagery Abstract spaces and fragmented temporal structure Dark, poetic, and immersive atmosphere Themes: control, identity, human-AI consciousness, anti-war sentiment, liberation from power Music by krockworks, synchronized with the narrative and serving as the emotional backbone of the film

After the silence called a ceasefire, new flames tear across the sky. How many times must we etch the same mistakes into the earth before we learn? The technology we call evolution has become, not a prayer, but a machine that multiplies tragedy. Only the color of blood is renewed, while the shape of pain remains the same. Through AI-generated imagery, this work asks: Is war truly necessary, or is it humanity’s oldest mistake that we cannot let go of?

Struggling actor Nakanishi works part-time at a funeral planner. One day, he is strangely fascinated by a dull, new employee called Otani, consoling the weak and hurt. He follows Otani home, where he witnesses Otani serve food to a crowd of homeless people. There, Otani shares his secret to Nakanishi.

Set entirely within a single scene, Muntazir unfolds in real time as a quiet confrontation shaped by waiting, power, and unspoken desperation. Through restrained performances and careful observation, the film explores how tension accumulates in moments where very little seems to happen, yet everything is at stake.