All Films

Michael, a convicted criminal, agrees to take part in an experimental tech‑therapy program to shorten his sentence. Guided deep into the shadowed recesses of his mind, he must navigate a void where buried memories and long‑suppressed traumas resurface. Each step forces him to confront the truths he’s hidden from himself — the pain that has kept him chained to his past. To reclaim his present and shape his future, Michael must face the darkness within and decide if he’s ready to let it go.

A short musical film that features an original song inspired by writer, producer, performer Jeffrey George Moline’s eighty year old mother. Grandpa’s Got A New Pill tells the story of Tootie, a headstrong, independent woman on the eve of her ninety-sixth birthday. Tootie feels unseen and constrained by the rules and regulations of Shady Nook Retirement Home. With a little help from her friend Awesome Lee Bodacious Queer Country Superstar – Tootie decides to make sure her party has a happy ending!

In a dystopian future where families are torn apart, a mother is granted one annual reunion with a digital simulation of her child — a fragile ritual that tests the limits of memory and love.

In the quiet of her room, a young woman records fragments of letters to her body. What begins as a series of self-criticisms unravels into a tender exploration of how beauty standards, filters, and comparison shape identity. With her mirror as witness, she confronts the pressure to conform and the exhaustion of always trying to measure up. Until what remains is something raw, unedited, and deeply human.

At a school party, a quiet moment of eye contact over a song sparks a relationship shaped by music, closeness, and shared discovery. Last Song unfolds over a single summer, drifting through sun-warmed days, late nights, and the small rituals that define first love. Told in fragments of memory, the film traces how something once effortless slowly falls out of sync, giving way to silence and emotional distance. When a familiar track unexpectedly returns, it pulls the past into the present, asking whether certain connections ever truly fade. A tender, nostalgic portrait of young love, growing apart, and the fragile possibility of reconnection.

An ever spiralling concoction of peculiar events leads Alice seeking answers to a forgotten night, lack of engagement from everyone, and the last shreds of her sanity dissipating. The explanation may be held by the beautifully ominous Talia, who stalks her every move.

About life, silences, eyes, bodies, waiting, relationships. The violence of love, the beloved wounds, the human breathlessness. And the great, sweet, anonymous End.

When Stefania, an animation director, reunites with a colleague hooded like a medieval warrior and harnessed in a heavy suit in the height of summer; she accepts her proposal: to recount her thousand-kilometer car journey from Italy to Germany. Up to the first European gathering of people who have become electrosensitive, that is, intolerant of artificial electromagnetic fields. Are they all crazy or is this our business?

Max, a young man in his late twenties, prepares for an important date with the help of his loyal barber. But when Monday arrives, the evening unravels once more this time in front of his coworkers. As he revisits every moment, the film explores the comedy and quiet tragedy of modern expectations: how far we go to be seen, and how hard it is to feel good enough.

Outgoing, vibrant hippie Willow meets charismatic and charming Blake at a party. It’s love at first sight and Willow finds herself in a romantic whirlwind. However, once he moves in, things slowly start to change, and Willow can’t understand why her once loving relationship has gone wrong. After one particularly vicious row, things turn ugly. Who will make it out alive?

Money has always been the Main Focus in Diamonds life. Shes dated rich men and has even stolen and scammed people for it. But now Diamond has reached a breaking point in her life. Can she pull it together before its too late.

Young FBI Agent Ethan is haunted by a shadow, one that hasn’t caught up to him yet but lingers just out of sight. It’s not a person. It’s a possibility. A version of himself that he dreads becoming. A routine arrest unravels into something far more insidious, pulling him into a descent where the lines between hunter and hunted blur. The suspect isn’t just another case; he’s a reflection Ethan can’t afford to recognize.

Jason is on the run after going against the rules of the special forces, Sam, his prodigy, tracks him down to confront him about what he has done...only to discover there is more at play than the special forces HQ let on.

A short documentary about a Ukrainian wartime army captain and writer, reflecting on his journey into art, the struggles he faced, the changes it brought, and how he carries hope through war.

This movie has been imagined and written by a human being, but performed by Artificial Intelligence, with digital Actors and Actresses. No Hollywood star has been mistreated during filming! In the quiet seaside resort of Myrtle Beach, South Carolina, a Philadelphia Fentanyl addict, named Mandy, finds refuge: in a last rush of reason, the young woman decides to totally change her life for love of her child of a few years. He steals $2,000 from his dealer and flees 500 miles away. But criminal world’s rules are merciless. The dealer’s henchman, known as Skippy, puts a dangerous female-killer on the girl’s trail, who significantly responds to the threatening name of Black Betty. This rough woman has the task of extorting from Mandy the stolen bucks, behind the concrete threat to eliminate the child. It turns out that the stolen drug-boss is one of the worst elements of crime in Philadelphia: he decides to leave for Myrtle Beach to handle this matter directly. Myrtle Beach operates a joint FBI-South Carolina State Police team, created to discreetly but firmly control that the lives of tourists and citizens are not threatened by the sale of fentanyl, placed under the command of Captain Saundra Phillips. Will this brave team be able to defeat the terrible threat hanging over the head of Mandy and her baby? The story is seen through the eyes of FBI Special Agent Layla Sannino, who works together with Sergeant Francis Lee of the State Police. The short but intense story, in the end, gives us a different perspective from the usual detective thriller, recovering the human meaning that is often hidden behind even the worst actions and has the power to change them for the better. A film to see until the end of its twenty-seven minutes.

Cécile and Paul, two young adults, are in love and move in together. But their dreams and desires eventually drive them apart. La Vie en Rose recounts the slow erosion of a sincere love, told through images of everyday life.

The House of Gods is a documentary that, with rare intimacy and respectful distance, opens a window into the life of a Roma family in Slovenia. Yet this is not a “Roma film” — it is a story for anyone who has ever found themselves caught between the expectations of others and the stirrings of their own heart. Mišo struggles to step into the role of husband and father, while his wife Mirsada carries strong expectations — including those of faith. His mother Vladica searches for solace and hope in a new religion, while his father Janez remains quietly true to himself. Generational and spiritual currents weave through the fabric of daily life, where nothing is spectacular — and yet everything matters. Told through an observational lens, the film refrains from explanation or judgment. In gentle, quiet moments, it invites reflection on coexistence, emotional growth, and the subtle transformations sparked by love, faith, hope, and fear. The House of Gods is a film about the human search for meaning — confined within four walls, yet universally understood.

In 1964, Manhattan, Margaret is a renowned world-traveling photographer, working for a popular global magazine. Having fought for every success she’s had, Margaret is now tasked with mentoring a new, younger photographer. Will she help this new threat to her career thrive, or will she protect what was so hard to gain?

A man recalls the night's events while hiding in his lover's closet.

A young woman finds herself cast into a void-like Friendzone and must escape to be with the woman she loves.

An abstract, experimental animation that explores the breakdown of truth, society, and personal identity in an era of rising extremism and disinformation. Created from a single image and transformed through relentless manipulation, the film mirrors the way reality is reshaped and distorted beyond recognition. Fractured geometric forms collide, dissolve, and reform in an unsettling rhythm, reflecting a world where stability has eroded, and nothing feels certain. Accompanied by an, improvised spoken word from Dexuality Valentino, the film is a fragmented response to an age of deep uncertainty—where truth is no longer absolute, and the familiar has become alien.

For an ordinary bank employee, Friday evening instead of the usual "Groundhog Night" suddenly turns into a night full of adventures, unexpected meetings, losses and finds. By Saturday morning, the film's hero turns into a person who is able to truly see, feel simple human joys and the beauty of the surrounding life.

In a cold warehouse, two criminals debate their careers future over the rise of AI.

“FKA:STOP” is an autoethnographic documentary depicting a long and arduous struggle on the path to motherhood. Interweaving a personal story filled with the joys, sorrows, hopes, and disappointments of a six-year treatment process, the film simultaneously sheds light on a woman's desire for motherhood alongside societal perspectives. While the director conveys her own experience with an intimate voice, she also incorporates the emotions of her inner circle; thus, transforming an individual narrative into a collective memory. Guiding the audience through the personal and the social, the private and the public with its experimental narrative, “FKA:STOP” serves as a reminder that motherhood is not merely a biological state, but a cultural and emotional voyage. “FKA:STOP”, annelik yolunda verilen uzun ve zorlu bir mücadelenin otoetnografik bir belgeseli. Altı yıl süren tedavi süreçlerinin sevinç, hüzün, umut ve hayal kırıklıklarıyla örülü kişisel hikâyesini anlatan film, aynı zamanda bir kadının anne olma arzusunu toplumsal bakış açılarıyla birlikte görünür kılar. Yönetmen, kendi deneyimini içtenlikli bir dille aktarırken yakın çevresinin duygularına da yer verir; böylece bireysel bir hikâye, kolektif bir belleğe dönüşür. Deneysel anlatım diliyle izleyiciyi kişisel ile toplumsal, mahrem ile kamusal alan arasında dolaştıran “FKA:STOP”, anneliğin yalnızca biyolojik değil, aynı zamanda kültürel ve duygusal bir yolculuk olduğunu hatırlatır.