All Films

Music Video for the dynamic duo of SayChingon!

When Cole shows up at his ex-lover Aurora's door one rainy night, a seemingly innocent reunion turns into something more sinister. What secrets do they both hide?

Tranquil, unspoiled landscapes. The sound of the sea mingling with the whistling sound of the wind influenced by the great waves of the Atlantic. Red mountains, a stork circling above a fallen tree. A feeling of dreaminess, a palpable infinity that manages without many people. Aesthetic compositions in motion.

A father and his daughter struggle to cope with the gradual decline of the girl's memory, when an unexpected encounter with an insect shakes their existence. The central theme of the film is Alzheimer's disease, through which the bond between a mother and her son is explored. In her confused state, the mother mistakes her son—who is caring for her—for her own father. The story is told from the mother’s point of view, and as a result, her character is portrayed on screen by a young girl. By alternating between different timelines and perspectives, the narrative weaves together reality and imagination, ultimately inverting the parent-child relationship.

After being struck on the head during the protests, a woman loses her sense of time and reality. Lost between moments and memories, she tries to find her way back home

It's about a little boy tries to Stop his parents divorcement

Sanja, Darko, and their 7-year-old daughter Mara live in perfect family bliss—until a sudden heart defect shatters their world. As they search desperately for help, they find themselves trapped in a cold, indifferent system where time blurs and no one listens. With everything slipping away, they are left with one final, desperate chance.

Autumn in the park is the autumn of life for a man sorely tested by fate. As nature sheds its leaves, carpetting the ground in rust and gold, the man sits alone on a secluded bench. To him, the crunch of dry leaves is no symphony; it is merely the sound of something dying. He was raised amidst the gnawing pangs of hunger and the shards of a stolen childhood in Villa 31—one of Argentina’s villas miserias—where poverty ran so deep that even rubbish seemed a precious treasure in his dreams. Today, he leads a life of comfort, yet he has forged an armour of cynicism to shield himself from a world that has always failed him; a world he now despises for its lack of values and its habitual wastefulness. The greyness of his gaze is suddenly broken by the sight of a young girl who seems crafted from light and wind. She does not merely walk; she dances through the avenues, beholding every leaf as if it were a jewel. His autumn is a dull monotone; hers is an explosion of colour. She is vibrant, almost watercoloured with warm hues and fluid lines; he is defined by sharp edges, desaturated tones, and ghosts that seem to weigh physically upon his shoulders. The girl sits beside him and, with a vitality that borders on the irritating, attempts to show him the beauty of nature and of life. But the man’s heart is too parched a ground. For every ray of sunshine she offers, he counters with the shadow of a past betrayal or the weight of a former deprivation. They never truly look at one another; each speaks while staring fixedly into their own private void. Only for the briefest of moments do their eyes meet. It feels like a tiny breach in his heart… a faint smile flickering in contrast to her crystalline laughter. Yet, his negativity is a dense fog that begins, slowly, to dim even the girl’s colours. Despite his bitterness, she continues to radiate light until the friction between them becomes unbearable. The girl vanishes, and the man is left alone. Grief begins to wash away all the colours she had painted around him, leaving him in the monochromatic silence of one who has suffered too much to ever trust in beauty again.

"Night Hag" is a short drama one-shot film that delves into the lives of the Sadri family, which is plagued by a mysterious illness that only affects the women in their family. This affliction is traced back to 1941, originating from a grave mistake made by their ancestor, the Thane of Tabas, who wrongfully executed the daughters of an old woman. The old woman's curse has lingered over the family, casting a shadow of dread and despair. The story centers on Mehri, a current member of the Sadri family, who finds herself trapped in a terrifying nightmare. Within the confines of her dreams, she confronts the possibility of her and her daughter succumbing to the family's dreaded disease. As Mehri navigates through her nightmares, the film explores themes of guilt, legacy, and the struggle to break free from the chains of a past curse.

A timid new vicar, determined to be a hero in the eyes of the village, becomes an accidental mass murderer, curing him of his stammer. This is a story of one man’s imagination getting out of control and allowing misinterpretation and greed to cloud his common sense and reasoning. We can all be guilty of this, but Reverend Eugene takes this several steps further and becomes an unintended killer. In his newfound madness and in a more subtle side to the story, he kills off the personas of the provocateur of his paranoia with dirty hands, his nagging mother and his tough, competitive brother. Genre: Tragicomedy

In a remote North Carolina monastery, Father Thomas, a retiring priest obsessed with recent Byzantine discoveries in Istanbul, summons Adriel, a scarred young priest from Istanbul, to translate government letters. Grace, Thomas’s curious daughter, grows intrigued by Adriel. Drawn together by a philosophical game of perfection, they explore ideals of flawlessness, uncovering hidden talents and a deep spiritual love that unites their imperfect souls.

A computer technician transfers her sick partner's consciousness into a radio to keep him alive, but this new condition of his will put their relationship to the test.

For seven years, silence shaped a Palestinian couple’s life. Luna (Breaking the Silence) is a first-person documentary that traces an intimate journey through infertility and Endometriosis, told from inside the experience itself. Through personal archives, reconstructed moments, and a restrained voice-over, the film reveals the weight of unanswered diagnoses, social pressure, repeated IVF failures, and the quiet endurance required to keep going. Set in Beit Sahour, Palestine, the story moves between private pain and public expectation, where the body becomes a site of struggle, waiting, and resilience. The birth of Luna brings fragile hope—but not relief—as the family faces the uncertainty of raising a child under occupation and the ongoing reality of war. Grounded in honesty rather than explanation, the film breaks a silence surrounding reproductive health and offers a deeply human portrait of love, vulnerability, and survival.

Everyone remembers the hollow left behind by the disappearance of human life. The melancholy—and the need—for everyday urban chaos. The frantic movements, the endless lines, the absurd traffic that, once gone, ended up magnifying an entire chapter of our history. It was a time when truth shrank into moments of stillness, slipping easily into the possibility of being false. A time when truths—and the debates built around them—had to be kept intact, even when their fragility was obvious. That same tension lingers in the road lines that open the film: directions without destinations, paths that lead nowhere. It grows stronger in the elegiac soundtrack that frames a vertical cityscape, where oversized statues stand as the only living witnesses of a frozen public space. Two figures step into this setting. They move forward carrying the weight of uncertainty—born from the emptiness below them and the edges that hold them up. Against the void, against the illusion, they run, nameless and unseen. 
And yet they reach another place, where they finally emerge—descending into the underground of a crowd that seems, somehow, to have been waiting for them…

It's about a man who feels guilty and made a fictional cell in his mind for himself

El ser humano no morirá de apocalipsis zombie ni de tormenta solar...su propia estupidez acabará con él.

Kiana is a 9-year-old girl who, during the recent political upheaval in Iran, witnessed the arrest of her mother by military and security forces. Following this event, she becomes severely traumatized and discovers that she can create changes in her surroundings with the magical powers of her drawing notebook.

Solstice, our neighbourhood psychic medium, receives an unexpected visitor in this under-5-minute comedy.

Hélène is pregnant. Having lost her parents as a child, she chooses to write a book for her future daughter, to explain the world where she arrives, and what it is like to be queen of Atlantis.

It is about a street sweeper who works at night and is unwillingly drawn into the games of a group of privileged young men

In the vibrant heart of Senegal, among the submerged roots of the mangroves of Joal-Fadiouth, lies a treasure as ancient as it is fragile. It is not gold in the traditional sense, but an ecological, cultural, and human heritage that sustains entire communities through a delicate balance between people and nature. “The Gold of the Mangroves” is a documentary that unfolds without filters or staging. Every image on screen is real, lived, and observed with deep respect by filmmakers Carlo Loglisci and Matteo Capatti, who chose to follow the daily work of the association AGIRE without ever interfering, allowing the truth of the environment to emerge with clarity and empathy. Through evocative visuals, spontaneous interviews, and sequences that embrace the authentic rhythm of local life, the documentary guides us on a journey across some of the region’s symbolic places: — the vibrant market of Joal-Fadiouth, a hub of exchanges and traditions; — the striking village of Palmarin; — the poetic and moving Christian-Muslim cemetery of Fadiouth, an island built entirely of seashells, symbol of memory and peaceful coexistence; — and Dakar, the capital, a crossroads of contradictions and aspirations for a nation in transformation. At the core of the story is the daily work of AGIRE and its members, who carry out concrete and essential activities with passion and perseverance: — the production of mangrove honey, a sustainable source of income; — the harvesting of shellfish, still vital for the livelihood of local families; — the protection of marine ecosystems; — the reforestation of mangroves, a natural barrier against the advance of climate change; — ecological and social education for young people, building a future-oriented environmental awareness. The documentary accompanies the viewer through this complex and ever-evolving world without imposing an external voice or a predetermined narrative. Reality itself is allowed to speak—through gestures, faces, silences, and the contradictions of a people striving every day to reconcile tradition with modernity. “The Gold of the Mangroves” restores dignity to stories too often pushed to the margins and raises an urgent, universal question: How can we protect what remains—and do it together?

With the film industry in decline, BJÖRN (50), a seasoned first assistant director, finds himself unemployed and adrift. To stay afloat, he takes a temporary job as a school photographer—an unfamiliar and humbling role. Over the course of one long day, Björn’s fragile calm is tested by a string of phone calls from his mother, his teenage daughter, and his ex-wife. Each conversation pulls him further off balance, and the tension begins to seep into the portraits he takes. As his professional façade starts to crack, an unexpected encounter with a P.E. teacher at the school offers a brief moment of understanding—and a hint that change might still be possible.

Clyde is just out on parole and living at his friend David's house makes himself a delicious cooked breakfast and hides the fact from Lottie (David's daughter) by pretending he has in fact made it for David.