All Films

My Stills, 1952-2002, David Perlov's last film, is based on his still photographs. It is formed as a triptych: the first part takes the viewer on a journey to the very roots of the image, the frame, the angle, the light, and the frozen movement of people, and contemplates stills and cinema photography. The second part revolves around three photographers whom Perlov deeply admired: David Seymore, Henri Lartigue, and Henri Roth (the latter's photographs served as evidence in the Eichmann Trial)

A documentary history of the development and deployment of the Cold War's ultimate weapon: the nuclear missile submarine. Features interviews with Navy veterans and footage never-before-seen by the public.

Documentary about people with uncontrollable anger and the outlets they find for it.

Between music and silence, a pale boy handsome as a statue by Canova and a flamboyant black boy in a ritual photographed by Marcel Mazé. With the presence of a Michel Journiac's self-portrait sculpture, votive offerings of sacred skulls and crucifixes, dried flowers, Monique Delvincourt fragmented mirrors, Louboutin heels, images of the assoluta Diva and a sound re-articulation of Gounod's Faust by Berndt Deprez.

The Other Side is a double-screen video installation commissioned as part of Breakwell’s residency at the De La Warr Pavilion in Bexhill-on-Sea, East Sussex during the summer and autumn of 2000. The film was shot on the Pavilion’s upper landing, the camera positioned looking out through the curved windows of the stairwell across the exterior balcony to a view of the sea and the horizon. It comprises two alternating sequences projected onto either side of a free standing wall. Footage of elderly couples ballroom dancing on the balcony outside has been slowed down to the rhythm of the accompanying soundtrack, an extract from Franz Schubert’s Nocturne in E-flat Major (Op.148) overlaid by the sounds of breaking waves and seagulls. In the alternating scene, played to the same sound, panoramic vistas of the view out of the building towards the sea and horizon beyond are empty of human presence.

A child goes to to the corner store to run an errand, but in Uruguay such a short distance can take a lifetime.

Some guys put on a VHS movie and this one, tired of being locked in the video, goes out, attacks them and joins the party.

A young Korean foreign student in Britain feels isolated and longs for home.

Ebullient joyrider Johnny relates the story of how he and his cool-headed cohort Tubbo steal a relatively worthless Ford Orion, an act that fails to impress young Johnny.

The year is 2065. At Meditech, illegal genetical experiments are carried out on human beings in order to produce a super creature. But the creature escapes...

In Eye/Machine II, Farocki has brought together visual material from both military and civilian sectors, showing machines operating intelligently and what it is they see when working on the basis of image processing programs. The traditional man-machine distinction becomes reduced to "eye/machine"" where cameras are implanted into the machines as eyes. As a result of the Gulf War, the technology of warfare came to provide an innovative impulse, which boosted the development of civilian production. Farocki shows us computer simulated images looking like something out of science-fiction films: rockets steer towards islands set in a shining sea; apartment blocks are blown up; fighter aircraft fire at one another with rockets and defend themselves with virtual flares.

Paul Otlet was a Belgian, *1868, died 1944, who perfected the Dewey Classification system as "the Universal Decimal Classification", in his lifetime alone totalling 17 million index cards of human knowledge.

Short about a prison.

Romantic fantasy based on "two songs" Marina Tsvetaeva riddled melancholy fleeting meetings and partings long -. A favorite theme times late Silver Age, which came at the beginning of the Great War.

"É Dez" is the tenth studio album by Brazilian singer and presenter Eliana, released on August 30, 2002 by BMG, and produced by Guto Graça Mello. It was Eliana's first album to be released on DVD and VHS kit. It presents a story called "Eliana.com alegria", where Eliana is transported inside a computer and stay stuck there until the end of the story. There she meets several people, and also a Robot called "Ajuda".

A transvestite is bedridden in a colorful room. A customer arrives, then a game of hide-and-seek, of pretense and confusion of feelings begins.

In 1996 Marc Dutroux was arrested on suspicion of having kidnapped, tortured and sexually abused six girls aged between 8 and 19, four of whom died. His widely publicized trial took place in 2004. Dutroux was convicted of all charges, along with the murder of a suspected former accomplice, and sentenced to life imprisonment. Dutroux's accomplices included Michelle Martin, Michel Lelièvre, Jean-Michel Nihoul, and Bernard Weinstein. Martin was convicted and sentenced as an accomplice to 30 years in prison, while Lelièvre was sentenced to 25 years. Nihoul, a Brussels conman, pub-owner and familiar face at sex parties, was initially tried as an accomplice to the kidnappings, but was acquitted of these charges due to insufficient evidence. He was instead convicted of involvement in a gang that participated in human and drug trafficking and was sentenced to five years in prison. Weinstein was never tried, as he was murdered by Dutroux.

A poor woman is abandoned by her partner after she gets pregnant, and she is determined to give the kid a better life.

Sahara - Hutsetik Haitzera is a mountain documentary about the climbing of Tizouyag Nord in the Hoggar Desert in Algeria by the Spanish Basque team composed of Alberto Iñurrategi, Jon Lazkano, Juanjo San Sebastián, Jon Beloki and Asier Aranguren. Made by climber Alberto Iñurrategi in 2002 and produced by Iñurrategi Anaiak, it is part of the Oinak Izarretan series.

Based on Goethe's poem "Reineke Fox".

Zombie Film shot in Gothenburg on minimal budget. A juicy story of Håkan, an ordinary gym teacher caught in video game addiction. He plays and plays until he is finally starting to have trouble distinguishing between reality and fantasy - the zombies in the game begins, eventually exist in his own reality. While jumping around an evil satanist magician in the town, which brings dead people back to life using old milk.

A Japanese salaryman attempts to discover why he has no memory of the previous day.